The dossier
A chapter begins as a verified dossier: the hour rebuilt minute by minute, and a section listing what we will not say. Figures we cannot stand behind are cut, never softened.
How we work
Nothing in a chapter was filmed in AD 79, in 1912 or in 1986. Every frame is generated. What is not invented is what those frames stand on: a dated chronology, a filed source behind every claim we publish, and a person who reads the whole thing before it goes out.
A chapter begins as a verified dossier: the hour rebuilt minute by minute, and a section listing what we will not say. Figures we cannot stand behind are cut, never softened.
Every published claim is filed against the passage that carries it. Where the sources genuinely disagree — where the Titanic broke, which day Vesuvius buried Pompeii — the chapter says so instead of picking the tidier version.
Each chapter carries a light map drawn from its own chronology, and no image is generated without the hour it belongs to. A shot lit at the wrong time of day is a factual error here, not a stylistic one.
Nothing is published until a person has read it whole. Our editorial review can rule against a finished film — and has: the Titanic chapter was rebuilt from the ground up after the first cut failed it.
What we don't do
No fiction passed off as record. Every chapter is labelled a dramatized reconstruction, here and on YouTube.
No dwelling on suffering. The tone stays documentary. What is terrible in these hours is already in the facts.
No myths repeated for effect. When a famous scene never happened, the chapter names it and explains why it stuck.
Corrections are the most useful mail we get. If a date, a figure or a source looks off, write — with the chapter and the timestamp, if you have them.
correspondent@thelastwitness.aiPress, licensing and collaborations: same address.